Showing posts with label article. Show all posts
Showing posts with label article. Show all posts

Thursday, 24 April 2025

Lest We Forget



ANZAC Day is so much more than just a lame excuse to get dressed up, get pissed and play two-up...

Ordinary people like you and I died so we can have the freedom to enjoy our lifestyle.




A simple yet powerful way to remember and pay your respects (if you can't get to a Service anywhere) is to light a candle at 6 a.m. on ANZAC Day and stand at your letterbox, driveway, or front landing.

Dawn Service: Ode, Lest We Forget, Last Post
(Length: 5' 08")

They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning, We will remember them.

#LestWeForget  #ANZACDay  #WeRememberThem



Remembrance Day...
11 o'clock on the 11th day of the 11th month


Will you be wearing a Red poppy or a White poppy on this day?
While the red poppy specifically represents remembrance associated with the (British) Armed Forces, the white poppy commemorates all victims of all wars – both military and civilians of all nationalities – seeking to bring to an end “the exclusion of civilians from mainstream Remembrance events”.

#LestWeForget  #RememberanceDay  #November11  #WeRememberThem  #ArmisticeDay




Lest We Forget





Bookmark this page:
 
ANZAC / Remembrance Day
Also: ANZAC Day

Thursday, 6 July 2023

Music Genres



I once foolishly thought you just called rock music, 'rock' or 'pop', you know? However...

The more I'm involved with presenting radio and the various styles and genres of contemporary popular music, I've come to realise, accept and appreciate that there are an absolute multitude of musical-style genres these days - and that's quite alright.

NB. This list is not placed in no particular weighted order, nor is this list in any way exhaustive or complete...!

NB. Originally posted c. 2018






Rock
Classic rock
Rock'n'roll
College rock
Hard rock
Melodic Hard Rock
Indie rock
Alt rock
Pop rock
Prog rock
Experimental rock
Gothic rock
Darkwave
Grunge
Post-grunge
Noise rock
Garage rock
Industrial rock
Blues rock
Roots rock
Country rock
Glam rock
Rockabilly
Psychedelic rock
Art rock
Stoner rock
Southern rock
Instrumental rock
Math rock
Jam rock
Folk rock
Soft rock
Surf rock
Krautrock
Post-rock
Drone
Paisley Underground
Shoegaze
Lo Fi

Pop
Indie pop
Country pop
Power pop
Dance pop
Electropop
Synthpop
Pop funk
Dream pop
Chamber pop
Art pop
Folk pop
Jangle pop
Britpop
Lo-fi
Noise pop
New wave


Easy listening
MOR
Americana
Chanson



Rhythm and blues
Soul
Electronic soul
Funk
Jazz funk
Reggae
Disco
R&B
Dubstep
Drum'n'Bass
Breakbeat
Techno
Hip hop
Trip hop
Alt hip hop
House
Electro house
Progressive house
Trance
Psy Trance
Dark Psytrance
Dance
Rave
Hi-NRG
Rap
Rapcore
Acid house
IDM
Aggrotech
Dark Electronic
Chillout
Downtempo

Industrial
Electro-industrial
Punk rock
Hardcore punk
Pop punk
Synthpunk

Heavy metal
Melodic Heavy Metal
Death metal
Technical Death Metal
Thrash metal
Speed metal
Power metal
Glam metal
Modern metal
Metallic Hardcore
Melodic Hardcore
Prog metal
Black metal
Progressive Black Metal
Atmospheric Black Metal
Industrial Black Metal
Pagan Black Metal
Depressive Black Metal
Black doom
Metalcore
Melodic Metalcore
Progressive Metalcore
Deathcore
Gothic metal
Alt metal
Death metal
Melodic death metal
Progressive death metal
Doom metal
Doom death metal
Symphonic metal
Symphonic Power Metal
Folk metal
Viking metal
Grindcore
Noise metal
Post-metal
Post-hardcore
Stoner metal
Experimental Metalcore
Sludge Metal
Groove Metal
Nu Metal


Country
Western swing
Alt country
Country and Western


Folk
Indie folk
Alt folk
Celtic folk
Country folk
Bluegrass
Folktronica
Neofolk
Atmospheric Folk Rock

Blues
Boogie-woogie
Country blues
Delta blues
Electric blues



Jazz
Swing
Acid jazz
Avant-garde jazz
Bebop
Big band
Dixieland
Cool jazz
Free jazz
Hard bop
Jazz blues
Jazz-funk
Jazz fusion
Latin jazz
Mainstream jazz
Scat
Vocal jazz
Smooth jazz
Bossa Nova
Soul jazz
Swing
Trad jazz
West Coast jazz
Modern Jazz
Nu Jazz
Modern Swing
Jazz hop

Experimental
Electronic
Ambient
Minimalist
Avant-Garde
New age
World music
Soundtrack
Classical
Infernal Opera

(Sources : 1 and 2 )



Mal's Album Collection: 4,000+ so far...




Bookmark this page: Music Genres


Saturday, 10 December 2022

Radio Presenter's Articles - Training, Tips, Hints, Resources


Radio Presenter's Articles - Training, plus some encouraging tips, hints & resources

10 reasons why you need Community Radio
Why we do radio
Companionship, info, entertainment
You never know WHO is listening
Who is listening?

Radio 2.0 Blog (CBAA)

Radio Presentation
Program preparation
One-on-One and some tips
Creativity, intelligence & preparation - creative program content
Story-telling
Who are you?
Am I good enough?
Being Consistent - getting out of the Rut
Life changes week-by-week : keep up with the world - keep things fresh

Vocal presentation
Listening to yourself

RPH Australia

Slow tempo music?
Music genres

Radio presentation and technology

Online Training :
The Media Industry and the Law
OH&S in the Media Industry
Online Training

Community Radio - technical resources
Community Radio Wrap for 2012

CBAA Radio Codes of Practise

Radio Presenter Training at 2MCE

Free Radio Presenter's Training Course & other ideas (note: 100% copywrite-free; material adapted by Mal Kiely, 2013).

Some other various online radio resources :

Bookmark this page: Radio Presenter Tips


Tuesday, 24 April 2018

Radio Presentation Hints and Tips


Radio Presentation Hints and Tips

Here are a few common sense ideas and suggestions that might help you along in your radio career. It covers a broad range but if just one hint helps you improve then it was well worth the effort.

This is NOT a lesson or rule to be religiously adhered to. Its simply a blueprint based on long time experience and presented to you to think about – and hopefully work with.

1. KNOW YOUR LIMITS - You are NOT Grant Goldman, Bob Rogers, John Laws or any other major syndicated personality...Don't try to be. Don't copycat someone else's style, and understand the limits of your own talent.

2. LEARN THE BASICS - Before you develop bad habits get the basics down. You have to be able to sound convincing when you say, "That was--this is". You have to be able to give the station ID a ton of different ways. You have to be able to make every community notice sound different, even if you're just saying the same thing over and over. If you can do that, you'll sound better than about 80% of people on community radio today.

3. LOSE YOUR STREET ACCENT - Yes, you have one. Learn to recognize it and get rid of it. I'm not talking about your overall accent I'm talking about your street talk manner. On radio just for a short time each week you have to be ‘someone else’ … like an actor playing a part … an entertainer if you will! Incorrect word usage and vocal mannerisms like ‘youse’ and ‘ Umm, Err ‘etc are real put offs.

4. LISTEN - Listen to radio personalities you admire. Listen to national ads. Listen to yourself. You are your own worst critic.

5. PRACTICE - Every day. In the car, try voicing YOUR commentary before and after songs you hear played. Do whatever you can to improve your skills. Practice breathing. Practice standing and talking. Practice sitting and talking and try a few ad libs. Go over your air checked program and see where the faults are. NEVER get friends to critique your show, they will always say you’re good.

6. BE CONVERSATIONAL - Listeners want to hear someone who sounds like their friend or neighbour, not someone that sounds like a top 40 jock in 1970. Stop yelling! It's not important to yell to sound excited. Talk calmy and a little more slowly perhaps than you’re used to.

Use pauses effectively to emphasise a point. Never say "all of you". You're not talking to a group, you're talking to ONE person. And don’t forget, when acknowledging a call say their name. A lot of the time, people ring radio stations just to hear their name being called out over the radio. True!

7. PREPARE - Know what you want to talk about. Develop an outline for each break and stick to it. Don't fly by the seat of your pants. Once you've done it for many years, you may not need to prepare as much. Know the music, know the likes and dislikes of your audience and if you’re doing a station owned program stick as close to the format as possible OK.

8. CHECK YOUR EGO – Anyone who performs, speaks or entertains in the public arena develop huge egos...Just like any other talent-based industry. Just remember, you are NOT the best. You may be very good, but there's always someone better. Be confident, not cocky.

9. STAY ACTIVE – A lot of presenters get to a point and think that they're pretty good, so they stop trying. Always learn new things, from as many people as you can. And don’t be afraid to experiment a little.

10. DON'T USE CRUTCHES - If you use the same phrase more than once or twice an hour, it's a crutch. It can even be as simple as saying your name too much or the station call sign too much. This will be a constant battle. Presenters who have been in radio for 20 years plus still use crutches.

Watch out for them. A good way to break the habit is to write out a few ‘cue cards’ and place them on the panel during your shift. I copied some people along the way, borrowed a little from a lot of people I admired and thought were good, but I modified it all to suit my personality. With that you begin to get a feel for who YOU are behind the microphone and develop a style all your own.


I spoke with my peers, asked their advice, took the criticism and improved. Spent time reading everything I could OUT LOUD until it no longer sounded too much like I was reading. In radio its good to remember you never stop learning and if you do each new shift with the intention of being better than the one before you’re on the right track mentally.

REMEMBER – Your listeners tune in to YOU and your station to be ENTERTAINED. So be an entertainer, give them something no other station can… YOURSELF. If they get the music content they expect, and get it presented in an easy to digest and entertaining style, then you’ve done well!! They’ll stay with you.

(Source: David Reneke )



Wednesday, 22 June 2016

You NEVER know who is listening


On the radio - never underestimate who may be listening, and into whose life you may be positively contributing!

You really don't know who is listening to your program... any time of day, anywhere around the world. This is one of the wonders of streaming your program live-to-air online.
Over the last seven years of presenting various programs on radio, I've gladly received great, positive and constructive comments and feedback from active listeners not only from across NSW's Central West, but also from all across Australia, and also including such diverse countries and places from all around the world which have included Norfolk Island, Japan, Indonesia, Malaysia, Hawaii, USA, Canada, UK, Denmark, Norway, Germany, France, Italy, Gibraltar, Greece, Russia, Ukraine, Moldova, and Turkey!

Here's the results of the latest National Listener Survey (for all community radio).

On the radio - never underestimate who may be listening, and into whose life you may be positively contributing!




Tuesday, 10 March 2015

Music News


Music News
Bands, Albums, Festivals, Events etc

(*) Music News 
(*) Aust Art & Entertainment
(*) www.liveguide.com.au
(*) themusic.com.au
(*) Tone Deaf
(*) Music Feeds 
(*) Amrap AirIt's Australian Music Charts

Bookmark this page : Music News
http://www.liveguide.com.au/
MUSIC FESTIVALS
http://www.liveguide.com.au/

Bookmark this page: Music News

Tuesday, 18 November 2014

Radio Presenter Training at 2MCE


2MCE offers practical training in the areas of radio presentation, panel operation and production processes.

Training is available to all 2MCE subscribers.


Areas covered include:
  • Community broadcasting principles & practice
  • Working at 2MCE
  • Basic studio operation
  • Presentation
  • Interviewing
  • Digital production
  • Writing for radio
Training sessions will provide you with the skills and knowledge required to present a radio program for 2MCE or to produce content items for radio broadcast. All subscribers who complete the training program are eligible to submit a program proposal form to the programming committee.

Skills update training is offered to experienced presenters on an ongoing basis and session times for these are advised throughout the year.

For more information on training at 2MCE, contact 2MCE-FM.
(Source)


2mceTune-in to Radio 2MCE-FM 92.3 & 94.7 MHz (Bathurst & Orange NSW Australia)
Listen Online - Streamed Live
Check the World Clock - what time are we playing where you are across the world?
Call me [when on-air] : (02) 6331 0092